It's funny because, if you're not an actor, people always tend to say, 'How do you memorize all those lines? Is that really hard?' I'm always like, 'That's just a small part of it. I have to seek my craft and my emotions' - you know, all this gross, actor-y stuff.

I don't spend much time on Twitter. I joined because I found it funny.

I read that John Hughes script for 'Mr. Mom,' and I thought, 'This guy is a funny writer.' I went: 'You ought to stick around and direct this thing.' But he didn't; he left, and look what he became. A really legendary comedy director.

You go through at least the first two years of Star Trek and you find some amazing stuff. Everything that was going on Gene put into the series. He just put strange costumes on the actors and painted them funny colours and left the same situation in.

I always approach comedy roles pretending they aren't funny.

I don't dismiss the music that I was involved with, I don't think it was a joke, I don't think it was funny or a phase, I don't think it was just something I was doing back then, to me it was who I am. It connects all the way through. I don't distance myself from any of it.

I wake up every day and look at my own ugly mug in the mirror and don't think twice about it. The fact that other people might want to look at me still feels funny. It's flattering, but funny.

I liked the old comic books, especially the funny ones like 'Popeye' and 'Beetle Bailey.'

This funny little film we did called 'Sharknado' has caused so much buzz, I would have never imagined. It's literally caused more buzz than anything else I've ever done. I had no idea that it was going to turn into this phenomenon.

I guess the more serious you play something, if the context is funny, then it will be funny and it doesn't really require you to be necessarily, explicitly humorous, or silly.